KPMG returned to our Sydney Production Centre to deliver its annual Federal Budget virtual event, bringing together expert analysis and live discussion immediately following the Australian Federal Budget 2026 announcement.

Hosted by political journalist Peter Van Onselen, the broadcast featured KPMG specialists unpacking key policy decisions and outlining potential impacts across industries and businesses nationwide. The live format allowed audiences to access timely insights as the national conversation around the Budget unfolded.

Produced from Studio B at Gravity Media’s Sydney Production Centre, the event combined the LED wall studio environment with integrated broadcast control rooms and live streaming workflows, creating a seamless studio-based production connected directly to KPMG’s digital platform.

Alongside live delivery, Gravity Media supported show design, graphics and production planning to ensure the programme translated complex economic discussion into an engaging and elevated broadcast experience. Following the event, captioned deliverables were completed within hours, enabling the full recording to be quickly published for on-demand viewing.

The production highlights how studio-based broadcast workflows continue to support corporate organisations seeking reliable, scalable ways to communicate major announcements to national and global audiences.

New partnership unites global production expertise with agile creative to deliver end-to-end campaigns for brands, federations and sponsors worldwide.

Gravity Media, the global leader in production, content, media services and facilities, has partnered with creative production company, The Good Work Quickly, to launch Gravity Media Creative Agency – built for speed, complexity and global scale of modern sport and entertainment.

Founded by experienced advertising professionals, The Good Work Quickly offers strategy, creative and production under one roof and has produced high-impact creative campaigns for globally recognised brands.

The launch responds to a fundamental shift in the industry. As viewing habits evolve and live moments drive real-time engagement, brands and rightsholders are under increasing pressure to deliver high-impact creative, faster and across more platforms than ever before. However, many still rely on disconnected agency, production and post models that slow delivery and dilute creative consistency.

Gravity Media Creative Agency exists to solve that challenge. Its founders have previously delivered campaigns for some of the world’s largest brands, including Lexus, Emirates and Coca-Cola, demonstrating their ability to combine creative ambition with seamless execution.

Bringing together The Good Work Quickly’s seasoned writers, directors and producers with Gravity Media’s global production infrastructure and deep expertise, the agency offers customers a fully integrated model spanning strategy, creative development and execution, from initial concept through to global delivery.

Gravity Media Creative Agency works across TV, documentary, digital, social, branded content and live activations, delivering everything from large-scale 360° campaigns to reactive content around live moments. Fully embedded within Gravity Media’s production ecosystem, the agency is designed to operate at the pace and scale that today’s sport and entertainment landscape demands.

Dave Bedwood, Co-Founder of the Good Work Quickly, added: “Gravity Media Creative sits at the intersection of broadcast craft and modern brand storytelling. Our hybrid model means we can think like a creative agency but execute like a production powerhouse.”

“We’ve built a reputation on delivering some of the most complex live productions in the world” Jamie Hindhaugh, CEO of Gravity Media’s UK, USA, Australia and Middle East Operations, said. “Gravity Media Creative Agency allows us to extend that capability upstream, partnering with brands and rightsholders earlier in the process to shape the creative, not just deliver it. It’s a natural evolution of where the industry is heading.”

John Newton, Chairman and CEO of Gravity Media, added: “The launch of Gravity Media Creative Agency is a strategic expansion of our global offering and reflects our shared ambition to build an agency that meets the need for speed, sophistication and scale. By combining world-class production expertise with high-end creative capability, we are uniquely positioned to deliver integrated campaigns that better serve the world’s biggest sporting and entertainment platforms. We look forward to deepening our collaborative offering with a continued focus on our customers’ evolving needs as the industry landscape shifts.”

For more information, contact [email protected].

 

PRESS COVERAGE

The A-Leagues season brought another year of fast-paced, elite soccer to fans across Australia with all-screens coverage, including Network Ten and Paramount+. Behind every kick, goal, and post-match analysis was a national team working together to deliver seamless live coverage.

We supported JAM TV to deliver dedicated coverage of every match in the Isuzu UTE A-League Men and Ninja A-League Women bringing together live match production and owned content creation at our Production Centre in Sydney.

Our team and equipment supported the A-Leagues from pitch side to production centre, combining onsite broadcast delivery with large-scale remote production from our Sydney facility.

From the Sydney Production Centre studios, weekly highlights shows for each competition, match previews, and club-specific content, as well as longer-form programming, were produced and delivered by JAM TV across multiple platforms.

By the numbers:

 

New facility enables customers to deliver production, streaming and branded content workflows under one roof, reducing complexity and accelerating time to delivery

Gravity Media, the global leader in production, content, media services and facilities, has announced the launch of Studio W12 at its Production Centre based at the heart of London’s Media sector in White City.

Studio W12 is the latest addition to Gravity Media’s London Production Centre, completing a production ecosystem that now spans the entire content workflow – from capture through to delivery; combining premium studio facilities, global connectivity and end-to-end production services to support high end production, streaming and corporate content in a single, connected environment. Located in one of London’s leading media and technology hubs, the site offers easy access for clients, talent and crew. The studio also supports Gravity Media’s wider content initiatives, including its in-house Format Lab, enabling the development and production of original formats for international broadcasters and streaming platforms.

As production becomes more hybrid, demand is increasing for greater efficiency, scalability and operational agility. Many workflows still rely on multiple vendors and locations, adding complexity and slowing delivery. This launch addresses that by bringing the full production process into a single environment, helping customers streamline operations, scale and deliver content faster.

The new studio delivers:

Built around broadcast-grade infrastructure, Studio W12 supports UHD and HD production, large-scale control room workflows, multi-operator replay and graphics, and fully integrated communications. Underpinned by IP-based infrastructure, the facility enables seamless integration across studios and control rooms, supporting both live and pre-recorded production. The space is designed for rapid configuration, allowing teams to move efficiently between different production setups.

The studio is supported by Gravity Media’s specialist camera and production expertise, alongside integrated graphics and technical services. Designed to work collaboratively within a broader production ecosystem, the facility can support both in-house teams and external creative partners, providing a collaborative environment for a wide range of production requirements.

“Studio W12 is a key milestone in our continued investment in our London Production Centre,” Jamie Hindhaugh, CEO of Gravity Media’s UK, USA, Australia and Middle East Operations, said. “With its addition, our London facility now offers a complete production environment, bringing together every stage of the content journey in a one-stop-shop. It represents the final piece in our overall offering, making production simpler for our clients while providing a highly adaptable space built to handle everything from complex live broadcasts to fast-turnaround content.”

The addition of Studio W12 further strengthens Gravity Media’s ability to support a wide range of production requirements across broadcast, live and corporate content. The London Production Centre also offers comprehensive on-site support, including audience handling, set storage and integrated production services, alongside a range of on-site services.

The new studio is part of Gravity Media’s global studio footprint with facilities in Australia, Belgium, Germany, Italy and the Netherlands. Find out more here.

 

PRESS COVERAGE

Gravity Media, a leading global provider of complex live creative production and media services, has been appointed to deliver specialist camera technologies for the Indian Premier League (IPL), continuing a twelve-year partnership with one of the world’s most watched cricket competitions.

Gravity Media is once again accessing its specialist cameras to provide an innovative UmpireCam system for the tournament, enhancing the broadcast experience with immersive on-field perspectives across every match of this year’s IPL.

Designed and developed in Australia, UmpireCam has become a recognised feature of international cricket coverage, delivering dynamic vision directly from the umpire’s viewpoint and bringing audiences closer to the action.

Gravity Media has supported the IPL with specialist camera solutions for more than a decade, with its broadcast innovations continuing to evolve across global cricket coverage. Alongside its IPL deployment, HelmetCam has featured in the men’s and women’s editions of The Hundred in the United Kingdom providing a similar on-field perspective from the players.

Both UmpireCam and HelmetCam are lightweight, high definition 1080i camera systems weighing just 75 grams, engineered to capture unique live perspectives without impacting performance or gameplay.

Gravity Media’s specialist cameras are internationally recognised for developing cutting-edge broadcast camera systems that provide extraordinary perspectives for audiences of sport, entertainment and large-scale corporate events.

Its technologies have delivered several world-leading innovations, including specialist in-car camera systems for the Macau Grand Prix and Goodwood Festival of Speed, alongside the NetCam tennis solution used across all four Grand Slams. JockeyCam has also delivered live on-horse vision during racing coverage, while Gravity Media’s Spidercam system has provided sweeping 360-degree aerial perspectives across major events including the Australian Open, NSW Schools Spectacular and the 2025–26 Men’s Ashes Series.

Greg Littrich, ​General Manager – SNG, RF & Specialist Cameras at Gravity Media in Australia, said:

“We are proud to continue our long-standing relationship with the BCCI and the IPL for another season. Each year, we continue to refine and evolve the technology behind our specialist camera systems to ensure clients and audiences around the world receive the most immersive coverage possible.”

Flagstone IM challenged us to elevate their brand profile with a big idea: Millions of people’s hard-earned savings are “asleep” – earning little or no interest. We brought this insight to life with a campaign starring a character made entirely of money, fast asleep. The campaign spanned three 30″ TV adverts, Out-of-Home (OOH) posters, and a suite of digital and social assets.

We followed artist Rabab Tantawy as she created the first ever original artwork to appear on an F1 car. The piece featuring Egyptian Nubians made its debut at the dramatic season finale in Abu Dhabi. Our team produced a short documentary and a suite of social assets for McLaren Racing and Vuse – delivering high-impact content at Formula 1 speeds.

 

A brand campaign for NBC GolfPass, featuring Rory McIlroy. With its countless offers, reduced Tee times and access to the best golf coaches – we positioned GolfPass as the “world’s most remarkable golf club.” The campaign included seven TV commercials, broadcast across the US and UK.

Sky Sports approached us for a highlights show covering the Clutch Golf Tour. We convinced them to go a step further— to tell the real stories behind the players. They may not be famous, but what they have on the line is arguably even greater.

We followed several players, exploring their lives, their families, and the sacrifices they’ve made to compete. The result: a two-episode documentary series, aired on Sky Sports in 2024 and 2025.

Gravity Media, a global leader in live production and content, and media services and facilities, is pleased to announce the appointment of Rudy Dendleux to the position of Managing Director of Gravity Media France, effective April 2026. In this new role, Rudy will oversee the continued growth of the company’s French operations, focusing on its Specialist RF Capabilities, whilst also driving the development of the company’s end-to-end solutions.

Since joining the business in 2003, Rudy has been an integral part of the business, first serving as President of the Technology division for over seven years. His deep understanding of the company’s operations, as well as his extensive experience in technology and leadership, make him the ideal candidate to lead the growth of the business in the French market.

“Rudy has been a key part of our success over the years and has shown exceptional leadership in his previous role. His vision, technical expertise, and passion for innovation make him uniquely qualified to drive our strategy forward in France,” said Bart De Maeyer, Regional CEO at Gravity Media. “We are confident that under Rudy’s leadership, our French operations will continue to excel, driving meaningful innovation, deepening customer relationships and delivering high-quality solutions that meet the evolving needs of our market.”

In his new position, Rudy will continue to focus on delivering cutting-edge solutions and maintaining the company’s strong presence in France while further strengthening its capabilities in RF, and integrated solutions for the company’s diverse client base.

Rudy commented on his appointment, saying, “I’m honoured to take on this new role and continue building on the solid foundation we’ve already established in France. I look forward to working with our talented teams to scale our operations in the region while ensuring our offering remains relevant and commercially impactful for our customers.”

Gravity Media is committed to its mission of providing high-quality production, content, media services and facilities solutions, whilst strengthening its leadership in the market. With Rudy at the helm of the French operations, the company is poised to continue its trajectory of success in the region.

 

PRESS COVERAGE

Gravity Media, a global leader in production and content and media services and facilities, has delivered broadcast and technology solutions for one of the Australian racing calendar’s marquee events, the TAB Golden Slipper Day at Rosehill Gardens, and now turns its focus to The Star Championships at Royal Randwick, both key highlights of the Sydney Autumn Racing Carnival.

The Sydney Autumn Racing Carnival features many of Australia’s most prestigious Group 1 races headlined with the TAB Golden Slipper Day at Rosehill Gardens on March 21, with attention now turned towards Royal Randwick for The Star Championships on April 4 & 11 featuring the celebrated Doncaster Mile, Asahi Super Dry TJ Smith Stakes, Queen Elizabeth Stakes, and Schweppes Sydney Cup.

Gravity Media is working in collaboration with the Sky Racing and the Australian Turf Club to deliver host broadcast services across the Sydney Autumn Racing Carnival, as well as with the Seven Network for Group 1 racing, while also supporting individual all-screens coverage requirements throughout the race days.

The production will see Gravity Media deliver a major broadcast operation across Rosehill Gardens and Royal Randwick, deploying combined 32 cameras positioned on and around the tracks, supported by state-of-the-art high-definition outside broadcast facilities, satellite and uplink services, along with cellular and cloud-based technologies.

Together, this infrastructure will capture every moment of the racing action for audiences across broadcast and digital platforms.

Sky Racing’s Senior Manager of Tech Services and OBs, Ryan Osinga, noted that the Sydney Autumn Racing Carnival stands as one of the world’s premier racing series, deserving a world-class broadcast to match its prestige.

“We are thrilled to continue our long-standing collaboration with Gravity Media to deliver a comprehensive, all-screens experience for racing fans,” Mr Osinga said.

Australian Turf Club’s Head of Media and Broadcast, Brett de Vine, said the $46.1 million Sydney Autumn Racing Carnival is viewed around the world.

“Sydney racing is recognised as amongst the best and most colourful of anywhere in the world and Autumn sees some iconic events,’’ Mr de Vine commented.

“We are delighted to join with Gravity Media and all of our broadcast partners to present an exciting and dynamic coverage to many tens of millions of viewers around Australia and beyond.’’

Gravity Media’s Sales Director, Ben Madgwick, noted the Sydney Autumn Racing Carnival is one of the standout moments on the Australian sporting calendar for Gravity Media.

“We are proud to collaborate with our partners on the Sydney Autumn Racing Carnival to deliver thrilling, world-class racing to passionate audiences,” Mr Madgwick said.

Beyond the Sydney Autumn Racing Carnival, Gravity Media plays a significant role in the coverage of many of the world’s most recognised racing events across broadcast, subscription and streaming platforms. These include the Sydney Spring Racing Carnival including the TAB Epsom, Silver Eagle, TAB Everest, Moet & Chandon Spring Champion Stakes, Golden Eagle and Chandon Ladies’ Day, along with The Big Dance, Howden Victorian Derby Day, Lexus Melbourne Cup Day, Crown Oaks Day and TAB Champions Stakes Day at the Melbourne Cup Carnival, the Sportsbet Caulfield Cup, Sportsbet Caulfield Guineas and Ladbrokes Cox Plate during the Melbourne Spring Racing Carnival, the TAB Gold Coast Magic Millions kicking off the year.

 

PRESS COVERAGE

Montreux Jazz Festival has announced a new multi-year collaboration with Gravity Media, a global leader in live production and content, and media services and facilities, who will become the Festival’s Audio Visual Production Provider following a robust proposal process for a 3+2-year agreement.

Gravity Media will work in close collaboration with Montreux Media Ventures (MMV), the Festival’s dedicated audiovisual production arm, to deliver world-class live and recorded coverage across the Festival’s stages, platforms and broadcast partners.

Gravity Media succeeds RTS (Radio Télévision Suisse), the Swiss public broadcaster, who has worked with the Festival for the last five years and will remain a key Montreux Jazz Festival partner.

2026 marks the 60th edition of the legendary festival, which has welcomed some of greatest artists of all time to the shores of Lake Geneva, from David Bowie and Prince to Aretha Franklin, Etta James, Quincy Jones, Bob Dylan, Elton John, Kendrick Lamar, Nina Simone and many more.

MMV has developed a distinctive approach to live music production that applies the emotional grammar of cinema – movement, narrative progression, spatial depth and refined colour authenticity – to live broadcast, transforming coverage into immersive storytelling.

Rather than simply documenting performances, MMV’s philosophy is to translate the feeling of being inside the venue for audiences watching around the world, using storytelling through editing, audience POV shots, and a deliberate progression from wide shots to close-ups to build emotional momentum.

The partnership will build on the Festival’s advanced technical and creative production model, including a UHD S-Log3 master workflow and real-time development for broadcast delivery via a live colour grading station, ensuring show-specific control and a consistent “Montreux look” that remains faithful to each artist’s stage design and lighting

Gravity Media is deploying its Nova 105 outside broadcast vehicle, in full IP delivery mode, configured across two stages within a single XXL truck to provide enhanced production capacity and flexibility. The system supports P25 camera formats and wide-sensor camera workflows, including Sony Venice II integration, enabling premium cinematic output. The agreement forms part of a multi-year contract and includes dedicated technical staffing to ensure consistent, high-level operational support.

Nick Bonard, CEO of Montreux Media Ventures, said: “Since 1967, the Montreux Jazz Festival has been a pioneer in technological and artistic innovation. Our new collaboration with Gravity Media builds on this legacy, enhancing our distinctive cinematic approach to live music production and taking the festival’s world-class performances to new creative heights.”

Chris Demeulemeester responsible for International Projects & Sales at Gravity Media said:

“Gravity Media is widely recognised for delivering world-class sports coverage, but this iconic music event is another fantastic opportunity to showcase the breadth of our end-to-end media services and facilities capabilities. Large-scale live music productions demand the same precision, technical excellence and collaborative approach as major sporting events. Our team thrives on capturing the atmosphere, scale and emotion of these moments, and we’re proud to bring our proven live broadcast capabilities to yet another landmark event on the global stage.”

Alongside live festival coverage, MMV will also begin producing monthly livestreams of legendary performances its UNESCO-registered audiovisual collection in the coming months. The series will begin in February with Alanis Morissette: Live at Montreux (2012), with further iconic shows to follow.

 

PRESS COVERAGE