• Camera Channels

NAC Hi Motion II Ultra Slow Motion Camera

Brand: NAC

Product code: Hi Motion II Ultra Slow Motion

NAC HI MOTION II 2
1431 2
1431 3
1431 4
  • Description
  • Features
  • Specification
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The excellent slo-motion images, (at up to 20 times slow down) of the Hi-Motion give sports producers and broadcasters dramatic images that show detail and emotion not seen before, that have been used to enhance the coverage and understanding of many sports.

The ease of integration within the standard Outside Broadcast workflow and ease of operation both for the Camera Operator and the Record/Replay operator have led to the rapid acceptance of the Hi-Motion cameras as another part of the Producer and Directors tool kit in telling the story of the match.

The Hi-Motion has several unique features among the competing Ultra Slo-Motion Cameras; the Hi-Motion Cameras are the only with 3 sensor technology, the same as all mainline broadcast cameras; Hi-Motion has the industry standard B4 lens mount so that all of a Broadcasters or Facilities existing standard lenses can be used, without the need for adaptors or modification.

• Designed from its inception as a Broadcast System camera
• Industry Standard B4 Lens Mount
• Industry Standard SMPTE Hybrid Fibre (up to 2 Km) between camera head & CCU
• 3 Sensor design for superior colour matching and representation
• Simple & effective workflow
• Instant playback
• Easy to integrate to existing OB workflow
• Full Remote Control
• Ease of use for Camera Operator, Vision Engineer and EVS Operator
• Real-time viewfinders; 2" monocular & 9" colour
• Genuinely operable handheld
 

• System partner to NAC for Hi-Motion II is Ikegami
• Improved Sensitivity by 2-3 stops (Minimum 4X brighter)
• Continuous Live output - separate from the Replay output
• Record & Replay at the same time
• EVS Control Integration "Hypermotion" from an LSM panel.
• Flicker Suppression Circuit for working under lights
• Double Recording Memory to 96GB
• Recording Speed up to 1,000fps (up to 1,200fps in 720P)
• Full Remote Control with full Paint controls
• Effective and usable Shutter
• Stand-alone operation. E.g. On Steadicam with RF Links.
• Radio Camera Systems available from BSI & Broadcast RF.
• Works with standard Telecast "Shed" (Sony/Ikegami) for use on single-mode fibre for long distances transmission from camera to CCU
 

GEARHOUSE BROADCAST HAS BECOME GRAVITY MEDIA

On 31 October 2019, the four leading broadcast and production houses Gearhouse Broadcast, Hyperactive Broadcast, Input Media and Chief Entertainment owned by Gravity Media Group started trading under the brand name of ‘Gravity Media’. All Gravity Media companies around the world are making this transition and will now go to market as a single brand with a bold new look and purpose.

under 1 roof2

Gravity Media is a leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors. We use the collective pull of our people and resources to capture, craft and create world-class content that inspires and excites.

We are driven by client service excellence, and we never stand still. We’re always looking and listening, keeping up with the latest broadcast innovations – or pioneering them. Above all, we channel our energy into maintaining our reputation for flawless execution, deep technical expertise, and efficient delivery.

Gravity Media is a brand-new company with a 30-year pedigree, a force to be reckoned with formed by the coming together of Gearhouse Broadcast, HyperActive Broadcast, Input Media and Chief Entertainment. Our 500 people serve clients across the sport, media, news and entertainment industries from bases in the UK, Australia, USA, France, Germany and Qatar.

At the centre of Gravity Media lie three broad categories of expertise: media services & facilitiesproduction & content; and equipment rental & sales.


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