Imagine OP+HMX+AI+13T

Brand: Imagine

POA

  • Description
  • Features
  • Specification
Description

The OP+HMX+AI 3G/HD/SD audio embedder for the 6800+ module core processing platform has up to eight AES and eight analog audio inputs with optical transmitter.

This module allows for control over the picture, has an embedded audio processor for hot-switching embedded audio, provides full audio delay and processing, and has the ability to embed metadata from external sources. The OP+HMX+AI can be used in any broadcast facility where the embedding of AES or analog signals on SD or HD signals is required, or where the processing of SD or HD video and audio signals is essential.

Features
  • Inputs:
    • One video serial digital input
    • Eight AES inputs (unbalanced, balanced compatible with external baluns)
    • Four AES inputs standard, eight AES with HMX68OPT-AES8 license option
    • Eight discrete Analog Audio inputs
    • DARS Input (unbalanced, balanced compatible with external baluns)
    • RS232/422 serial port for external metadata source
  • Outputs:
    • Four serial video digital outputs
    • Fiber transmitter)
  • Operational video standards:
    • 525 and 625 (SMPTE 259M)
    • 1080i/p
    • 720p (SMPTE 274M/296M)
  • Auto-detect or user-forced input video standard
  • 10-bit video processing
  • Digital equalization (supports Belden 8281/1694A and newer, thin coaxial cables like Alcatel SD02)
  • Passes all HANC samples
  • Passes VANC with user-selectable option for VBI/ANC line-by-line video deleting
  • Up to eight frames of HD and 50 frames of SD video delay
  • Loss of video modes:
    • Pass
    • Black
    • Freeze
  • Video processing amplifier with controls for:
    • Luminance gain
    • Luminance offset
    • Chrominance gain
    • Chrominance offset
    • White clip
    • Black clip
    • Hue adjustment
  • Ability to embed AES on output (fiber or SDI) without video source or genlock
  • Ability to embed external metadata
  • Dolby® header adjustment
  • Basic audio limiting capability:
    • User-selectable threshold for soft compression limiting
    • Adjustable compression slope
    • Adjustable attack time/rate
    • Adjustable delay time/rate
    • Noise gate level and time
  • Module will directly support eight AES unbalanced inputs only; balanced AES supported via external baluns adapters
  • Video and audio test generator
  • AES/Analog audio routing/advanced processing
  • Internal audio processing amplifier with gain, swap, invert, delay, mix (sum) of de-embedded and external audio channels
  • Bypassable sample rate conversion for external and embedded audio
  • Data mode for passing compressed audio - apt-X®, DOLBY® E, AC-3
  • 16-, 20- or 24-bit audio processing
  • C, U and V bit transparency
  • Shadowed/restored parameter settings when switching video standards
  • Card-edge control
  • Ethernet remote control and monitoring
  • V-fade of the output audio on audio source change
Specification
SERIAL VIDEO INPUT
Number 1
Standards 1080p (SMPTE 424M): 3 Gb/s HD
1080i/p (SMPTE 274M);
720p (SMPTE 296M) — HD-SDI
SMPTE 259M-C, 270 Mb/s, 525/625 component – SD-SDI
Connector BNC per IEC 169-8
Impedance 75 ohms
Frame Rate 1080i/p: 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 Hz (3 Gb/s rates are future software upgradeable)
720p: 50, 59.94, 60 Hz
Return Loss >15 dB from 5 to 1485 MHz; >12 dB from 1485 to 2970 MHz
Equalization 3 Gb/s-adaptive cable equalization for up to 164 ft (50 m), typical of Belden 1694A coaxial cable
HD-adaptive cable equalization for up to 492 ft (150 m), typical of Belden 1694A coaxial cable
SD-adaptive cable equalization for up to 984 ft (300 m), typical of Belden 8281 coaxial cable
SERIAL VIDEO OUTPUT
Number 4
Standards 1080p (SMPTE 424M) — 3 Gb/s HD
1080i/p (SMPTE 274M); 720p (SMPTE 296M) — HD-SDI
SMPTE 259M-C, 270 Mb/s, 525/625 component —SD-SDI
Frame Rate 1080i: 25, 29.97, 30, 59.94 Hz
1080p: 23.98 (p/psf), 24 (p/psf), 25, 29.97, 30, 50, 59.94, 60 Hz (3 Gb/s rates are software upgradeable)
720p: 50, 59.94, 60 Hz 525, 625
Connector BNC per IEC 169-8
Impedance 75 ohms
Return Loss >15 dB from 5 to 1485 MHz; >12 dB from 1485 to 2970 MHz
D.C. Offset 0 V ±0.5 V
Signal Level 800 mV 10%
Rise and Fall Time <135 ps - 3 Gb/s
<270 ps - HD-SDI
0.4 to 1.5 ns - SD-SDI
Overshoot/Undershoot <10%
Jitter 3 Gb/s: <2 UI pk-pk of timing jitter (>10 Hz); <0.3 UI pk-pk of alignment jitter (>100 kHz)
HD: <1 UI pk-pk of timing jitter (>10 Hz); <0.2 UI pk-pk of alignment jitter for (>100 kHz)
SD: <0.2 UI pk-pk (>10 Hz);
Delay Up to 8 frames less 2 lines for 3G/HD; 50 frames for SD
UNBALANCED AES/DARS INPUT
Connector BNC (IEC 169-8)
Impedance 75 ohms
Return Loss >25 dB, 0.1 to 6.0 MHz
Sensitivity <100 mV
Input Audio Rate 32 to 108 kHz
BALANCED AES/DARS INPUT (WITH EXTERNAL BALUNS)
Connector XLR with external baluns
Sensitivity <200 mV
Impedance 110 ohms ±20% (0.1 to 6 MHz)
Maximum Input Signal 10 V (pk-pk)
Common Mode Rejection 0 to 7 V 0 to 20 kHz
Input Audio Rate 32 to 108 kHz
ANALOG AUDIO INPUT
Number of Inputs 8 mono channels
Connector Weidmuller 24-pin locking header-socket pair
Input Audio Level 28 dBu to 12 dBu (adjustable in 1 dB increments)
Input Impedance High-Impedance or 600 ohms, jumper selectable
CMRR >80 dB at 60 Hz, typical
Linearity <±0.5 dB (to -100 dBFS)
Frequency Response <±0.05 dB (20 Hz to 20 kHz), typical
THD >100 dB (at -1 dBFS, 20 Hz to 20 kHz), typical
SNR >100 dB
FIBER OPTIC OUTPUT (TRANSMITTER)
Number of Inputs 1
Wavelengths (nm) 1310 FP
Connector SC/PC per IEC 61754-4-1
Output Power -7 dBm ±1 dBm FP
Extinction Ratio 8 dB, typical
RS-232/RS-422 (METADATA I/O)
Standard Electrical specification EIA-232C
Connector DB-9 232/422 switchable
POWER AND TEMPERATURE
Power Consumption 12 W maximum
Operating Temperature 41° to 113° F (5° to 45° C)

GEARHOUSE BROADCAST HAS BECOME GRAVITY MEDIA

On 31 October 2019, the four leading broadcast and production houses Gearhouse Broadcast, Hyperactive Broadcast, Input Media and Chief Entertainment owned by Gravity Media Group started trading under the brand name of ‘Gravity Media’. All Gravity Media companies around the world are making this transition and will now go to market as a single brand with a bold new look and purpose.

under 1 roof2

Gravity Media is a leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors. We use the collective pull of our people and resources to capture, craft and create world-class content that inspires and excites.

We are driven by client service excellence, and we never stand still. We’re always looking and listening, keeping up with the latest broadcast innovations – or pioneering them. Above all, we channel our energy into maintaining our reputation for flawless execution, deep technical expertise, and efficient delivery.

Gravity Media is a brand-new company with a 30-year pedigree, a force to be reckoned with formed by the coming together of Gearhouse Broadcast, HyperActive Broadcast, Input Media and Chief Entertainment. Our 500 people serve clients across the sport, media, news and entertainment industries from bases in the UK, Australia, USA, France, Germany and Qatar.

At the centre of Gravity Media lie three broad categories of expertise: media services & facilitiesproduction & content; and equipment rental & sales.


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